Archive for the 'Business' Category

TED Talks: Dan Barber

This is the first of an ongoing series in which we highlight particularly fascinating talks from some of the world’s most innovative thinkers.  These videos are featured courtesy of a Creative Commons license; for more on the TED conference (Technology, Entertainment, and Design), click here.

Dan Barber is a chef and restauranteur who visited a truly amazing farm in Spain that raises geese for fois gras in a shockingly humane and natural way.  The portrait Barber paints of the Spanish farmer is remarkable, and the amount of care that goes into raising these animals stands in astounding contrast to commercially-produced fois gras, beef, pork, poultry, corn, or soy.  It’s neat to watch a clear lover of food discuss a revelation about the production of ingredients and what it means to learn from nature.

You can also download this video to iTunes (MP4 file) by clicking here (”Save Link As” on Windows).

We’d love to hear your reactions in the comments.  In particular, I’m curious to know: is this destined to remain an inspirational micro-scale anecdote, or are there lessons in this story that could meaningfully impact our food systems at large?

Geocultural Sensitivity and The Art of Video Games

This post is out there a bit, but humor me.

An interesting man named Tom Edwards stopped by Google today to give a talk about “Geocultural Intelligence and Global Business”.  A geographer and designer by training, he spent thirteen years at Microsoft as a Geopolitical Strategist, vetting products before they launched to be sure that they would not raise any ill feelings — or outright outrage — among foreign governments or other constituencies.  He’s since gone on to found Englobe, a consultancy that expands his work to a broader platform.

To give you an idea of what I’m talking about, I’ll give you a few examples that he shared with us.  Did you know, for example, that Windows 95 was temporarily prevented from being sold in India because the borders of the Kashmir region were not drawn to the government’s liking in the time zone settings (yes, that tiny 1.5×4″ map!)?  Or that several video games have been recalled from, delayed, or outright canceled in some countries because their soundtracks included chanted prayers from the Qu’ran, or because they featured radioactive two-headed Brahman cows that were… edible during gameplay?  Or that Turkey blocks a majority of YouTube traffic in its borders because of videos critical of Ataturk?

At Englobe, Tom’s adapted the idea of “geopolitical” to “geocultural“, and for good reason.  Samuel Huntington proposed back in the 1990s that the powderkegs of the post-Cold War era would not explode primarily over traditional political or military disputes, but rather over cultural and religious conflicts.  It’s certainly hard to argue that this hypothesis is not well on its way to proving true.  This shifting dynamic is not limited to the realm of geopolitics, however.  In the business world, too, we increasingly see the importance of national boundaries fading as so many diverse markets begin to merge into a truly global one.  While governments will still often be the official agents for expressing concern or taking action regarding geocultural issues, the issue goes much beyond the political realm.

I don’t want to rehash Tom’s talk or dive too deep into the details, but I wanted to toss out a thought, which I also posed to him in a question at the end of the talk.  To many people — and especially to developers themselves — video games are not just products.  To them (and me), video games are also an art.  Those who develop the elaborate narratives, painstakingly model the characters, precisely design the environments, labor over how the characters will move and how the user will interact with and feel a part of the virtual world they create — these people, to a certain extent, are artists.

Yes, video games form a mammoth entertainment industry.  But unlike musicians or writers or painters, video game developers can’t just set up a studio in their garage to achieve the pinnacle of their art.  They require complicated tools and training to reach the levels they want, and those things cost money.  Furthermore, the distribution of their work is tightly controlled by the console manufacturers, since video games require access to console APIs (remember this post?) to work at all.   Among the media of art, theirs is perhaps one of the most constrained in terms of access and resources.

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Newspaper Is Not The “One Medium To Rule Them All”

Reminder: I speak for myself and not for my employer.

Late last month, the New York Times ran an op-ed by David Swensen and Michael Schmidt called “News You Can Endow.” It begins with this quote from Thomas Jefferson:

“The basis of our governments being the opinion of the people, the very first object should be to keep that right. [...] And were it left to me to decide whether we should have a government without newspapers or newspapers without a government, I should not hesitate to prefer the latter.”

And then, ominously, the authors declare:

“Today, we are dangerously close to having a government without newspapers. [...] If Jefferson was right that a well-informed citizenry is the foundation of our democracy, then newspapers must be saved.”

I’ve done enough LSAT logical reasoning questions to recognize a broken argument when I see it.  I could hash it out, but I much prefer passive aggressive analogies.  Let’s say that Jefferson also wrote that the basis of commerce is the efficient movement of goods.  Today, however, we are dangerously close to having an economy without carriages.  Oh noes!  If Jefferson was right that excellent transportation is the foundation of our economy, then carriages must be saved!  Dunno about you, but I’m pretty sure the CEO of FedEx would disagree.

Swensen and Schmidt go on to argue that turning newspapers into non-profit organizations funded by endowments “would enhance newspapers’ autonomy while shielding them from the economic forces that are now tearing them down.”  In other words, they believe that because newspapers are not surviving the market economy with their current business model, they should — instead of adapting to consumer demand and concentrating on moving their operations online — forgo a business model altogether and become self-sufficient institutions that are immune to the desires of their audience.  I’ll give you a few seconds to apply and enjoy the carriage analogy here.

Of course, as Michael Masnick at Techdirt points out, Jefferson wasn’t really talking about newspapers as a medium, but newspapers as an implementation of journalism (just as — if my invented quote were true — he would probably have been talking about transportation, and not just carriages).  Doesn’t Jefferson’s quote really imply that, if anything, a citizenry who could be informed frequently, and even in real time, would be better off than one who only received news in a single, diurnal, static form?  To put it simply: wouldn’t Jefferson have been in favor of ditching newspapers for online news?

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Breaking The News

I told myself that, this time, I really wasn’t going to blog about it.  As with my recent post on the future of writing, I felt that there is sometimes too much hyperbole about the Web tolling the bell for familiar habits and industries… and that I had done my fair share of furthering the exaggerated panic.  This time, though, is a little different.

Newspapers are dying.

This isn’t particularly breaking news: I remember discussing the topic in 2005 during a French class in Paris.  The competition for French newspapers like Le Monde at that time was coming mostly from the free alternatives that were available on the street and in the Metro.  Several American papers were quick to see this trend, and began to offer a free mini version of their full paper; the Washington Post Express, for example, is popular with commuters in D.C.  Today, however, the newspaper industry’s number one enemy is — surprise surprise — the Internet.  The speed with which readers are moving from getting their news in print to finding it online is bringing the industry’s predicament to a nasty head.

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Lala: Send Your Music To The Cloud

There are a whole lot of companies and products trying to be “The Next Big Thing” in digital music.  Apple’s iTunes is clearly dominant these days, a combined result of its deep (and sometimes exclusive) catalog offerings, easy-to-use software, and killer hardware lineup.  Add to that the tight integration between those three, and you truly have a killer combo.  Amazon seems to have posed the biggest challenge to the Apple machine so far, competing agressively with lower prices (around $0.79/track and $5.00/album as opposed to $0.99 and $9.99 respectively for Apple) as well as DRM-free tracks.  One area in which both Apple and Amazon have failed to innovate, however, is universal accessibility to your music.

The Problem

First, let me describe my music set-up and listening habits:

  • My music, currently totaling 4,415 tracks, lives on my laptop’s hard drive.  That corpus of music is duplicated in its entirety in two other places: my backup hard drive, and on my iPod.  I use my iPod primarily to play along with music on the drums, but also in the car through an audio-in jack.
  • Using a playlist, I’ve designated a subset of that music (right now, 850 tracks, or about 20% of my total collection) to sync onto my iPhone; when I walked/bused/metroed for an hour every day in D.C., this came in handy.  Now that I bike to work most days in about 15 minutes, I have a no-music commute.
  • While I could take my iPod to work and have all my music on hand, I know that inevitably I’ll leave it there one night and want it for the drums, or it’ll run out of juice and I won’t have a cord, or something.  And given that there seems to have been a rash of disappearing devices at work recently — including my G1 and a coworker’s iPod — I try to minimize the gadgetry I have (and perhaps accidentally leave) at the office.  So, until recently, I would just fire up Pandora.

So the biggest question I’ve faced with regards to music is this: “How do I access my entire collection of music remotely without having to bring along a separate device?”  Earlier this year, I tried a product from SimplifyMedia that let you listen remotely through iTunes (or the iPhone), but I encountered too much lag.  For the past month or two, however, I’ve been trying out a new service called Lala.  Lala is a completely web-based music jukebox and storefront.  While that’s pretty standard, the real beauty of Lala can be found in two key offerings: the Lala Music Mover and web-only purchases.

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